Opening Date: Friday, April 7, 2017, 6 - 10 PM
On View: March 3-26, 2017 at Gravy Studio & Gallery
Artist's Talk and Closing: Saturday, April 29, 2017, 1 - 6 PM,
Artist's Talk at 1 PM.
PUBLIC / PRIVATE is an exhibition of artist Chris Peters’ most recent body of work, in which he constructs large scale, site-specific camera obscuras in rooms of abandoned buildings, and then photographs these installations. The powerful images not only function as documents of abandoned space juxtaposed against a broader urban fabric, but also suggest a reading of these spaces that contradicts traditional narratives of urban decay.
Peters’ use of the camera obscura as a tool is integral to his conceptual project. After blacking out every window, opening and crack in his chosen room, Peters drills a hole into the outside wall, its size and placement dependent on the artist’s desired photographic outcome. Once this camera obscura is constructed, Peters photographs the resulting projection within the room. In the process of converting these abandoned spaces into black boxes and then cameras, the artist deconstructs and reimagines the figurative and literal boundaries separating interior and exterior space. The walls that designate private space, that physically separate outdoors from in, are rendered ineffective when Peters projects the outside world onto them. No longer do the walls separate this indoor space from what surrounds it; instead, exterior and interior collapse onto one another and cannot be so easily delineated.
Imposing the inverted projections of the outdoors onto empty interiors literalizes the relational dialectics that govern urban space—a relationship that is complex and mutually affecting. As a rich theoretical site for discussions of the political and social implications of its organization, the urban city readily lends itself to an investigation of how public and private—accessible and inaccessible—spaces transect and affect one another. By layering public sites onto private, Peters calls into question a rigid understanding of public and private space as intrinsically separate and mutually exclusive. Instead, the photographs Peters produces from his conversion of these sites perform as documents of private and public (interior and exterior) spaces that are deeply connected, spatially as well as conceptually.
Chris Peters was born in Shorewood, Wisconsin in 1978. He holds a BFA in Photography and Video and an MFA in Community Art from the Maryland Institute College of Art.
Gravy is proud to present an innovative photography installation ‘Windows’ by Amy Ritter. Ritter’s work is an exploration of her relationship to her physical self vis-à-vis mobile homes and their interior landscapes. It stages her memories of her experience of growing up in a mobile home community—a place she’s left but still feels rooted to. Ritter transforms the gallery space using Xerox prints, plywood, and cinderblocks—materials that relate back to the makeshift homes of her past. She aims to represent and understand the environment she came from and navigate the place she inhabits now. She creates a memoryscape that plays with the viewer’s perception and challenge their relationship to both her objects and figures and the personal space they reconstruct. By using her own body and self portraiture elements, ‘Windows’ is a refreshing view of the world through a woman's gaze.